|John McLaughlin - John McLaughlin radio show (+misc.)
||Tribal tech - The sheik of Ensino
||Jimi Hendrix - Voodoo chile (intro speed 50%)
||Jimi Hendrix - Voodoo chile (intro speed 75%)
Speed at 75% ?
||Jimi Hendrix - Voodoo chile (intro speed 85%)
Speed at 85% ?
||Jimi Hendrix - Voodoo chile (concert pitch)
Correct speed & correct pitch
||Jimi Hendrix - Voodoo chile (no vocals)
||Joni Mitchell - Hejira (intro loop Left?)
Loop of beginning (Left?)
||Joni Mitchell - Hejira (intro loop Right?)
Loop of beginning (Right?)
||Joni Mitchell - Hejira (intro Stereo)
part of (stereo)
|John McLaughlin - Recorded at London Jazz festival 1999?
Ot Morrow Bruise? (Airto Moreira)? - Keyboards
Victor Williams - Percussion
Gary Thomas - Tenor saxaphone & flute
Denis Chambers (Mr.DC) - Drums
Matthew Garrison - Bass
A household name since the early '70s, John McLaughlin was an innovative fusion guitarist when he led the Mahavishnu Orchestra and has continued living up to his reputation as a phenomenal and consistently inquisitive player through the years. He started on guitar when he was 11 and was initially inspired by blues and swing players. McLaughlin worked with Alexis Korner, Graham Bond, Ginger Baker and others in the 1960s and played free jazz with Gunter Hampel for six months. His first album was a classic (1969's Extrapolation) and was followed by an obscurity for the Dawns label with John Surman, a quintet set with Larry Young (Devotion) and My Goals Beyond in 1970 which was half acoustic solos and half jams involving Indian musicians.
In 1969 McLaughlin moved to New York to play with Tony Williams's Lifetime and he appeared on two classic Miles Davis records: In a Silent Way and Bitches Brew. In 1971 McLaughlin formed the Mahavishnu Orchestra, a very powerful group often thought of as rock but having the sophisticated improvisations of jazz. After three influential albums (The Inner Mounting Flame, Birds of Fire and Between Nothingness and Eternity), the group disbanded in 1973. McLaughlin, who recorded a powerful spiritual album with Carlos Santana that was influenced by John Coltrane, put together a new Mahavishnu Orchestra in 1974 that, despite the inclusion of Jean-Luc Ponty, failed to catch on and broke up by 1975. McLaughlin then surprised the music world by radicalliy shifting directions, switching to acoustic guitar and playing Indian music with his group Shakti. They made a strong impact on the world music scene (which was in its infancy) during their three years. Since then McLaughlin has gone back and forth between electric and acoustic guitars, leading the One Truth Band, playing in trios with Al DiMeola and Paco De Lucia, popping up on some mid-'80s Miles Davis records, forming a short-lived third version of the Mahavishnu Orchestra (with saxophonist Bill Evans), recording an introspective tribute to pianist Bill Evans and in 1993 touring with a rollicking jazz trio featuring Joey DeFrancesco and drummer Dennis Chambers. Throughout his productive career John McLaughlin has recorded as a leader for Marmalade, Dawns, Douglas International, Columbia, Warner Bros. and Verve. — Scott Yanow
Tribal Tech (from same radio show)
Scott Henderson - Guitar
Gary Willis - Electric bass
Kirk Covington - Drums
Scott Kinsey - Keyboards